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About Leslie
"Not all the great performers [at Telluride] were on the main stage. Throughout the campgrounds you could hear music, guitars, banjos. mandolins, and occasional djembe. Lot's of jamming, some local groups trying to drum up interest and hawk their CDs. I was lucky enough to be camped very close to a true talent. Every day we were graced with wonderful songs from Leslie McClure, a student at Nashville's Belmont University. This gal has the stuff, and quite frankly put some of the performers on the main stage to shame, much less the amateurs that were vying for top spot in the contest the festival holds every year...she was one of this year's highlights for the Warner Field crowd."
- John Zurek
Positive Feedback Online
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Leslie McClure comes from a musical family.
Her uncle Scott McClure played with both Russell Smith and Butch McDade in Rich Mountain Tower before it morphed into The Amazing Rhythm Aces. He continues to play in Blues bands in Colorado Springs. Her father, John McClure, played his way through college and graduate school in Southern Rock bands and jam bands covering everyone from The Allman Brothers to The Grateful Dead. John also apprenticed as a studio engineer and eventually developed a home recording studio in Louisville, Kentucky dedicated to recording starving artists. Leslie grew up singing constantly from an early age, surrounded by musicians practicing, jamming, and going in and out of the family’s studio (now called Jonymac Studio). She developed a sharp ear for harmonies and repeatedly found herself invited to sing harmony tracks for several studio artists.
By age 12, Leslie and her father began singing various cover songs in local bars in Louisville such as Jake and Elwoods, Brownings, Clifton Pizza, Cumberland Brewery, and Pat’s Steakhouse. Throughout her high school career her mother, Annie, acted as her booking agent. This family-band dynamic continued when her father was offered a job teaching at Vanderbilt University and the whole family moved to Nashville, Tennessee. Leslie subsequently enrolled in Belmont University where many of Nashville’s musicians-to-be come to ply their wares. She and her father hooked up with various Belmont musicians, including Nathan Dugger (lead guitar), Jonathan Tarleton (dobro), Jeffrey Harper (bass) and Lyndsay Pruett (fiddle) at venues such as McDougals, The End, Bongo Java and Caffeine. |
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In the spring of 2006, Leslie spent a semester studying abroad in the Galician city of Santiago de Compestela, Spain. Accompanying herself on a Martin backpacker guitar, she began to write her own songs and play them in various bars. When she returned to Nashville, she and her father collaborated to produce a recording of the 10 songs she wrote in Spain, working throughout the summer and fall in the family’s studio. The result, “The Santiago Set” involves several top notch musicians. The album features Leslie’s voice, accompanied by Kevin Maul on dobro, Lyndsay Pruett on fiddle, Mark Hill on Mandolin, Carson Leverett on Quattro, and her father on acoustic bass and acoustic guitar. Kevin Maul on Dobro played with Robin and Linda Williams's band and currently tours with the Burns Sisters Band and Woodstock-based Meg Johnson Band when not doing his own thing. He's been a frequent guest, along with Robin and Linda Williams, on Garrison Keillor's "A Prairie Home Companion" radio program. Lyndsay Pruett on fiddle recently graduated from Belmont and is currently playing with long time Bela Fleck percussionist Roy (FUTUREMAN) Wooten in his new Black Mozart Ensemble. |
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Leslie finds herself hard-put to find a comfortable genre to describe her music, though in every case where a description has been necessary, she has called it “gypsy-folk” or “Galician bluegrass.” Two songs on her latest album incorporate Spanish lyrics. Although one song, “Meant to Be,” dips into a kind of pop jazz reminiscent of Van Morrison’s “Moondance,” the album mostly demonstrates influences such as bluegrass, gypsy folk, and Americana. |
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